Research
Formative research begins with an understanding of basic principles common amongst disciplines: mathematics, physics, art, comprehensive design and the theory of cultural history linked to the foundation of cities, industries, institutions and general social-political economy. The work of art, architecture or scientific advancement originates from the uncertain space between states: the known and unknown, to what is beyond measure.
My work ranges from the figurative arts and observational landscapes to layered abstractions. Conventions become a catalyst for new discoveries, somewhere between the real and imagined space of observation. The radically subjective observer navigates through this technoscape; in time, to be revealed as an artefact encoded by the “accident” of things, intrinsic to the processes of invention that are technologically generative.
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A layered approach produces interactions of subconscious imagination, brought forward by the “real” plane; the plane of observation, digital screen or printed surface. Surface observations are a bridge to the traces of an imagined product. A structured process leads to indeterminate outcomes. The accident is the primary element of creative invention, uncontrollable and only understood over time; or otherwise beyond measure…
